Here's another one that I've been working on lately.
This piece will feature Rickenbacker and old #1 at the aerodrome at Saints, circa August of 1918. This is one of those ideas where the cart proceeded the horse. I could picture the scene in my head - a dusty airfield, a profile of 1 main aircraft with others lined up behind, engines running, copious amounts of dust blowing around and late afternoon sun backlighting the entire scene and making the dust in the air really glow and giving the whole piece lots of atmosphere. Now I just had to decided what aircraft to put in it. Originally I had thought of using Nieuport 28s for the scene, but then I realized that it needed something a little beefier. A SPAD was much more suitable. I had been discussing Rickenbacker's SPAD S'4523 (#1) with someone recently, and since I am probably long overdue in depicting that particular machine, I decided to go with it.
Most depictions of S'4523 show it in it's late configuration - shortened exhaust stacks, red/white/blue (front to back) rudder, and patched bullet holes. The problem was, though, that S'4523 was only in this configuration late in the war, while Rickenbacker and the 94th were based at Rembercourt. Rembercourt was known for its mud, and so that killed the idea of the dust kicking up. Prior to Rembercourt, however, the 94th was based at Saints. No problem with the dust there, so that would be my location.
As for the configuration of S'4523 while at Saints - it carried the standard length exhaust, no bullet patches (at least not in August of 1918) and the original blue/white/red French rudder.
I was able to go ahead and work out the perspective drawings this past week. Behind Rickenbacker and S'4523 will be Reed Chambers in #11 followed by Ham Coolidge in #22. (Special thanks to WW1 historians Alan Toelle and Greg van Wyngarden for helping me get started on this!)
If the perspective on #1 looks a little whanked, its because I set this one up to go on a 50" wide canvas. The overall finished size for this will be 50" x 23" - my largest canvas to date.