As many of you will know this is a subject I've been carping on about since Adam was a lad. In a few days time you will see some of my thoughts published in my regular Aeroplane column.
This is a subject I've wrestled with over and over again. Whilst it is simply impossible to come up with a set of hard and fast definitions that everyone will agree (and this is the real problem) it might help if we take a step back and consider WHY we need such definitions. As a writer and researcher it has become increasingly difficult for me to accurately describe a project where an aircraft is being restored to FLY (and my comments and thoughts are restricted to this scenario).
However, over the years it has become apparent that the only people that say it 'doesn't matter' are those with a vested interest. For me this is a minor distraction. As both Gregory and JDK have stated it is important for the future that we consider such definitions; if only because to ignore them means that history will be distorted, fraud will be committed and we will be doing a grave disservice to those restorers that do strive for originality.
I think the definitons that Robert Mikesh outlines in his excellent book 'Restoring Museum Aircraft' are fine for museum aircraft. They could be used as a basis for our own set of guidelines.
One thing that is important, and I go back to a comment I made earlier, is that we do work at this in an effort to lay down some guidelines. No one (most of all me) wants to see a 'restoration police' (Scotland Yard already have a Fraud Squad) or any organisations or individuals motives questioned. Most of you will know that there are countless organisations and individual restoration shops out there that are scouring the earth for the missing bit to aid a restoration. I calculated some time ago, based on interviews and conversations I had with countless individuals and shops, that for every hour spent working on an aircraft four to five hours are spent on the telephone, writing or emailing and chasing, chasing, chasing that elusive piece or drawing. One thing that does cause raised eyebrows is when someone says 'ahh, it has this identity because it has the original engine cowlings we discovered in.......' We could go on discussing this for years. As you know, I am always interested in everyones' views on this subject and I believe it is important we keep it in the public domain and continue to discuss it. Please don't say it doesn't matter. By the same token I think it is important that we generalise otherwise, even perhaps unwittingly, fingers will be pointed and this is unfair.
Perhaps we should start by laying down some basic principles? I think the first could be what constitutes an identity, and for me, as always, it is that centre fuselage section; simply because this has been the accepted norm (lets say by the majority) for years. An aircraft needs an identity so it can be properly recorded.
My vested (and declared) interest in all this is that I do intend to go into print on the subject in the not too distant future. If you have an opinion or an idea that you would like to express I'd be interested in hearing it, either in our out of the public domain. Those that want to express their views privately - my email address is
pac@warbirdguru.com. However, I certainly don't want to kill the debate here.
Paul