Wed May 24, 2006 1:55 pm
Airdales wrote:In regards to the wartime "Memphis Belle", many shots in the film were staged and created to tell the story. Once the "Belle" had made 25 missions, and the film makers now had a focus, the re-shot many of the scenes, including the crew flying in the aircraft and the crew arriving at the aircraft prior to the mission.
Does it now become a "docu-drama". I'm not sure, but it wasn't accurate in many respects including the make-up of the crew. Co-pilot Jim Verinis had already been in command of his own B-17 when he was ordered back to fly in the "Belle" and "hit " the magic 25 as a whole crew.
Some people may hit me over the head on this, but I have it from the horses mouth, both from Jim Verinis and Bob Morgan.
Just food for thought.
Blue skies,
Jerry
Wed May 24, 2006 3:21 pm
k5083 wrote:No. A documentary is where you point the camera at something real, not staged. The correct term for both BoBs is "docudrama" which is to say, a drama (fiction) based on real events. The wartime Memphis Belle was a documentary; the 1980s one was not. I have never heard the term "drama documentary" but if it exists, and I'll take your word that it does, it is an attempt to puff up fiction films into things that they are not.
August
I don't agree. That's how the industry works now, but certainly not then. It did OK at the box office, and a fair amount of tie-in guff cash, but the whole Video (1980s) and DVD (1990s) industry came way to late to attribute anything to the film's bottom line, although United Artists were probably happy. TV rights were and are small beans. The film team counted box office, and the books were closed when the rest happened.
I'd agree with Dave's sentiment, but k5083's detail - it's a 'docudrama', or 'dramatised documentary', but it's a fictional version of real events. Closer than most, and closer than some that claim to be documentaries.
Wed May 24, 2006 3:45 pm
Dave Homewood wrote:I have to get to work now, but will coime back to this later.
Wed May 24, 2006 5:48 pm
Wed May 24, 2006 6:19 pm
Dave Homewood wrote:Raven said:I don't agree. That's how the industry works now, but certainly not then. It did OK at the box office, and a fair amount of tie-in guff cash, but the whole Video (1980s) and DVD (1990s) industry came way to late to attribute anything to the film's bottom line, although United Artists were probably happy. TV rights were and are small beans. The film team counted box office, and the books were closed when the rest happened.
Fair point, but UA are still making money from DVD sales, and the actors will still receive their royalties with each sale and screening.
Thu May 25, 2006 1:00 am
Sun Jun 11, 2006 1:53 pm
Sun Jun 11, 2006 6:01 pm
Tue Jun 13, 2006 11:15 am
Tue Jun 13, 2006 11:27 am
Dave Homewood wrote:
Shade Ruff, as for "The Dirty Dozen", "Kelly's Heroes" and "von Ryan's Express", all I can say is OH DEAR GOD!!!!!!!!!
Mon Aug 03, 2009 5:15 pm
Wed Aug 05, 2009 6:36 pm
Wed Aug 05, 2009 8:19 pm