Evening all,
I saw this thread start and thought "Oh, no, here we go again..."
However it is an interesting and valid topic. Much of what is written is emotive / emotional or non- analytical or unqualified - that doesn't make it invalid, but it's worth a bit of digging before going off on one!
Some points to think about. The terms 'Original' 'Replica' 'Recreation' all have definitians in the museum biz (sadly not to hand for me at the moment - anyone?) Rather like the strict period definitions for 'Vintage' and 'Veteran' in the old car biz.
Percentage originality - again, worth looking closely; 80% original by:
a) Volume?
b) Weight?
c) Part count?
d) Something else?
All are valid (if stated) methods of quantifying, but like the differences between 'mean' 'median' and 'mode' averages, you've got to watch who's stating what. Given rivets are usually replaced, a percentage originallity by part counts usually very low!
It depends what the organisation's brief is. First divide we have is static vs restoration to fly. Almost without exception 'to fly' means replacement of a large number of parts which are not certifiable but would be OK in a static a/c, and replacement of historically acceptable materials with modern equivalents - but not, therefore original. Asbestos firewalls, radium painted instruments and W.W.II hoses being three which come to mind.
It is not axiomatic that a flying restoration means throwing most of the plane away; Spitfire MH434 was almost completely 'original' until its rebuild by ARCo in the early 1990s (IIRC) and Messerschmitt Bf109G6 'Black 6' was remarkably original; however these are exceptions. Magnesium based rivets in many warbirds need to be replaced...
It gets more complex when you start to talk about static. You or I can open a museum and put aircraft on display, and we can do what we want with them, label them how we want to a remarkable degree; however, if we want to join the museum organisations, we have to play by the rules, and they have aspects like this:
1. You have to document the 'provenance' and 'history' of the artifact.
2. Any changes or preservation actions also need to be documented.
3. If you replace parts or add parts, or remove parts you must document that; and normally, where possible label that item as replacement / non-original and changed by whom and when.
If you are a national heritage type collection, you have an obligation to do the above, PLUS 'preserve, interpret and present' 'original' artifacts. (Those terms are important here.) This is where the "Looks like a Duck" theorum falls down: The aircraft at the NASM in Washington, the Science Museum in London (for instance) are very careful to document how original the aircraft are. Why? Because original is just that, and for research an original artifact or document will give original data when evaluated or analysed; a non-original will give misleading information.
Gah. What a load of verbage. To make it real. There is a Mk.I Spitfire hanging in the Imperial War Museum, London. It is the real thing; in that the metal it is made from is the metal used by Supermarine's when it was built; so an analysis of that metal, in 250 years time will reveal exactly how that metal was made, how ductile it was, etc. There is no such thing as 'better' metal for that purpose; it is either original or it isn't. Better metals are avaliable for restorations; also cheaper too; but if you need to find out what Supermarine's used in the 1930s from a Spitfire rebuilt with other metal - you cannot. The rivet pattern is original - neither a better or worse copy from a 1990s restorer. Those rivets were put in in Supermarine's factory. In an argument about rivet lines on Spitfires, you can use this machine as a genuine, original example of what really happened. (I know, it gets so exciting... But sometimes that kind of argument IS important - James' believe it or not

)
Paint. This Spitfire is painted in its W.W.II paint - from late war - NOT its 1940 Battle of Britain colours. There are understandable calls for it to be repainted into its famous and important 1940 colours. The IWM will never do that. They are simply NOT alowed to do so, as the paint it wears is the aircraft's original paint, made and applied in 1944. A repaint would destroy that original evidence for a cosmetic improvement. In 250 years, people would not be able to analyse that real, original, documented (thanks to provenance and history) paint and say what was used during W.W.II.
A bit of a lecture! I out to add that I work in a v. humble role within the Museum biz, and study this aspect of history and preservation - hence the length of the post.
And don't get me wrong, I like the whole range of preservation, replicas etc, etc - I'm a great one for fly 'em don't ground 'em. But there's some subtle stuff about what world class Museum's jobs actually are that gets missed by us enthusiasts sometimes.
So - it might look like a duck, quack like a duck, but it could still be Termanator duck... Which does't float good.

and isn't the kind of duck you can rely on to do duck-like things at the end of the day!
Cheers
James K