So I've been reflecting a bit on all of this logo and branding stuff. Trying to see it from both perspectives. And also, asking myself what the CAF is telling us about itself as an organization by doing this. Bearing in mind the maxim that actions speak louder than words.
I start from the premise that the pics I posted earlier of the Spirit of St. Louis and the other things, which is that no legitimate museum or similar historical preservation organization would ever deface what it considered to be historical artifacts in this way. These days, all museums and other such entities are concerned about building their brand to attract donors, sponsors and visitors. But, slapping their logo directly on their most prized exhibits, and thus compromising their authenticity, would never be considered. There is no compromise, no weighing of interests--a legit museum or similar organization does not do that, period, end of story, no soup for you. The point of my pics was to show how absurd that would be if CAF considered itself a museum (like NASM) and if it considered, say, its LB-30 to be a historical artifact (like the Spirit).
So what CAF is telling us is that it is NOT a historical preservation organization that considers itself to have custody of historical artifacts. It says it is on its web site, but actions speak louder than words. That's a big admission.
Or is it? Maybe this is not news. We have seen the hard-core authenticity crowd on this forum basically state that anyone who has restored an aircraft to airworthy status has already done many things that no legitimate museum would do to a real historical artifact. It's a valid argument, but there is room for disagreement on the extent of preservation vs. restoration that is appropriate for an artifact, even among the hard-core preservationist crowd. Or one could argue, as some have in this thread, that the CAF blew all of its historical credibility with inaccurate restorations and paint schemes long ago. Well, maybe. But they have shown improvement in recent years, and I thought they were on the right track. I did not expect them to go back to the 1970s (remember when Fifi had "Confederate Air Force" written across half the length of the fuselage?) and turn their artifacts into billboards for the organization.
Actually I shouldn't say "improvement," that imposes my own value judgment on things. It's perfectly legitimate and all right to see vintage aircraft as something other than historical artifacts, and maybe that's what is going on here. We know that owners and operators see their aircraft as different things. Some still see them as toys and hot rods, suitable for painting bright red, clipping their wings, and racing around pylons with. Others, and this may be the largest group, see them as what I will call Living Memorials -- to vets, war dead, whatever. Living Memorials don't need to be historical artifacts; they could have been built yesterday. With Living Memorials, there is also much more room for "compromise" on historical accuracy. Some may feel that the best way to honor vets is to make the Living Memorial aircraft as accurate as possible, but others may feel that it is just as good to paint the plane yellow with big red words "YAY FOR VETS" written across it. Certainly it is much more acceptable to compromise historical accuracy for other purposes with a Living Memorial than with a historical artifact. Consider, for example, that new Midwest T-6 that we got to see pics of a few days ago:
http://warbirdinformationexchange.org/p ... hp?t=23339
If we assume that this T-6 is a historical artifact, that pseudo 325 FG paint scheme is a sad joke. If however we assume that the aircraft has no particular historical value in itself, but that the owner wished to do a tribute to the 325 FG and couldn't afford a Mustang, then the paint scheme makes a good deal of sense. That is the Living Memorial perspective. And it's nothing to be ashamed of. I might prefer that owners treated their aircraft as historical artifacts rather than Living Memorials, but I can't have it all my own way. And anyway, I can still see the vintage airframe under the paint and appreciate it for what I prefer to think it is.
So the CAF is telling us (by its actions) that it is a flying circus of Living Memorials, not a historical organization preserving artifacts (no matter what it says in words). Not such a big deal, but it surely will upset some hard-core types, maybe even some longstanding members. So let's look at the other side, what is the CAF getting out of this?
We've been fortunate to have this logo thing explained to us by a few insiders. It boils down to this. The CAF knows that more people look at its airplanes, and especially pictures of its magazines in magazines and calendars, than at any of its signage at airshows, etc. To drive membership and contributions, the CAF feels that every time someone looks at one of its airplanes, they should be made aware that it belongs to CAF. (Again, not a view that any legit museum would share, but we've covered that already.) I wonder what surveys or market studies the CAF has done to arrive at this conclusion. I would be interested in how the CAF's target market, whatever it has concluded that is, will react to the logos. Some percentage, I assume, will believe it to be an authentic WWII marking. ("Wow, Ghost Squadron! How many kills did they get?") Others will be turned off by the way it spoils the paint schemes. Hopefully the CAF has some basis to believe that others will understand the logo to mean that the aircraft belongs to an organization that they could inquire about joining (although how anyone is supposed to realize, just from the logo, that they could actually join the organization is not clear to me).
From a marketing perspective, again, I hope that the CAF has done some research, because my initial impression is that the winged logo as applied to the aircraft kind of sucks. It is so intricate and complicated that it is impossible to see what it is from any distance, unless you already know what it is. If they cut the wings off it and deleted the surrounding text so that it was just the CAF shield with the 3 fighters, it seems to me that it would have a greater chance of being discerned, identified, and remembered. Let's think for a moment about the relatively successful trademarks in the warbird business. I'm just looking here at the most recent edition of Makanna's "Ghosts" calendar that I have handy (2006) on the front page where he presents the logos of the major warbird organizations, and most of them I, even as a long-time buff, don't recognize. The ones that seem to me to be the most successful in terms of popular recognition are:
- Planes of Fame (incorporating the prewar USAAC roundel)
- Canadian Warplane Heritage (maple leaf roundel with Firefly superimposed)
- Kalamazoo Air Zoo (round logo with the four cats, which I guess they must have changed since they've sold one of the corresponding aircraft)
- I would also nominate the Warbirds of America logo, not shown in the calendar, as possibly the most successful in the industry.
What these logos have in common is that they are roughly circular, have simple, coherent designs, and been in use without major changes for at least 25 years. Interestingly, the CAF logo presented in the calendar is the shield-based one similar to what was used on the cover of that blue hardback book that they produced in the late 1970s. The design is a bit busy but vastly more coherent, as well as more familiar to old-timers, than the winged monstrosity of today. If this type of design were presented on the aircraft, conservatively but always in full color (I think the new practice of presenting the logo in different colors on different aircraft is going to be the worst of both worlds, because it makes the brand image less consistent while not really reducing the extent to which accuracy is compromised) it might be more effective. Assuming, of course, that putting logos on aircraft is effective at all.
Overall, my feeling is that the CAF should be treating the next few years as a trial period for these logos. To be a fair trial, it is appropriate that the logo be highly visible and appear on all CAF aircraft, because obviously part of the point is for people to see the logo on a lot of different airplanes and say, "Wow, this group has a lot of planes." They know that they are throwing away some credibility as a historical organization and angering some enthusiasts, but it remains to be seen how much and how many. It also remains to be seen whether these logos do the organization any good, or whether it will have any unanticipated negative effects (such as producers of books and calendars being less willing to use the CAF's aircraft because they don't look as accurate with the logos). A reputable market research firm should be tracking the results (hopefully one already is, but if not, I could refer them to several). In a couple of years there should be an evaluation as a result of which the logos may stay, be enlarged (argh!), be reduced, or be deleted. No doubt some kind of reexamination is bound to occur at some point, formal or informal. So as enthusiasts, maybe we all shouldn't get too upset just yet.
Apologies for this long post; I know some of you hate it when I ramble.
August