Sorry, my error about Life. I took the page of the publication you posted on page 2 of this thread to be from Life magazine, without reading your text carefully. SaxMan said this is a Life photo and I guess I mentally read it back into your post. I just meant whatever publication it was.
Nor am I really out to persuade anybody. It took me until today to be persuaded by (1) the extraordinarily perfect balance of exterior with interior light, (2) the improbably wonderful composition of the scene in the window, (3) the the varying angles on the airplanes in the window which imply a field of view too wide to have been taken from where the photographer was sitting, and (4) the window/crew position issue (which you may be right about ... perhaps that window is too big to be the nav station ... yes, now that I'm home and can look closely at other pics of B-25s, I can see that the nav's window is barely large enough to frame someone's head, whereas the window in your pic is larger). Tomorrow, somebody might offer arguments that change my mind back again.
I'm interested in the history and technique of photography, especially the traditional kind. I still shoot film, including black-and-white, and my latest serious camera purchase was an all-manual, medium format Mamiya RB67. I like to talk about airplane pictures and would value a continuing discourse, especially because we have skilled photographers like fotobass and Neal whose opinions I must take seriously, as well as your knowledge of the circumstances of the photo. Since we agree that nobody is being criticized or insulted, what is the harm? I realize that not everyone enjoys technical photography discussions, but threads in forums do wander now and then. I do promise to try not to (further) belabor points I've already made, and to let the topic die a natural death if we run out of things to say.
And consider the bright side: this at least is better than the hero vs. traitor discussion!
August