Jungmann wrote:
I was the screenwriter on a movie called The Aviator in the '80s. Not the good De Caprio Aviator, the not-so-good Aviator with Chris Reeve, for which I take some of the blame. It was an adaptation of an Ernest Gann novel--a mailplane pilot in the 20's on a Northern Rockies route takes a young girl passenger along--they crash, it's how they get out. Not very accurate--we shot the mountain stuff in Yugoslavia standing in for the Rockies and we had big-engine Stearmans from England passing off as Boeing Mailplanes.
Chris Reeve, you remember, was the star of the big Superman movie in the '80s, and he on his own had gotten his PPL. He told me his young kids were confused about whether Daddy could really fly through the air with a cape or in an airplane, and so he insisted, despite the howls from the insurance company, that there be one shot in the movie that would clearly show the world and his kids that he could fly an airplane. About the middle of the movie, he's in a Stearman back cockpit on a grass field with the engine ticking over, he gives it throttle, it gathers speed, the tail raises, the Stearman with Reeve lifts off and flies away to a dot in the distance. No cuts--it's clearly him. It's a pretty nice shot.
I liked that movie (I have it here on DVD). I know exactly the scene you're mentioning.