When you look at the photos of this aircraft, all of the primers/paints are the original/real deal, not the modern paints colored to look of the period like you see most other companies use in warbird restorations. As you can probably see in some of the photos, these original primers/paints chip and scuff quite easily, but it all adds to the level of authenticity (they always already had some "rash" to them even when new from the NAA factory, there was no escaping it). The finish on these original primers is kind of a semi-rough sort of feel/texture, sort of like what you would experience with a restored army Jeep or tank. Looking around the aircraft, there is of course the mixture of the typical yellow and green zinc chromate treatments, but there is also a much darker green primer that shows up on a number of parts as well, which AirCorps refers to as "NAA green" for its unique appearance on NAA-produced aircraft. While the cockpit is authentically painted interior green, the Warren McArthur seat is authentically painted in bronze green, which was known to hold up better/chip less and was used a lot, for that reason, to coat the seats during WWII. A bronze green also shows up authentically applied to the windscreen framing/instrument panel shroud assembly (which may have been more about just reducing glare).
As this view shows, however, not much primer was used throughout the aircraft. A lot of the aluminum parts, as per original, remain bare in their Alclad finish (the amount of primer used increased during P-51D production):
https://static1.squarespace.com/static/ ... rmat=1000wThis particular photo shows the nearly completed/fully assembled rear section of the fuselage, and one can see the battery jar, the radiator door actuator and the oxygen bottles. The white resin board at the far end of this shot is part of the fuselage tank compartment liner installation, and is how they looked when new - when viewing the original boards today, they are always yellowed/browned with age. The whole fuselage tank compartment is built up with three resin liners (forward/rear/bottom) and a good amount of balsa wood sections that are precisely designed/cut to fill in all of the voids between the fuselage tank and the aircraft's structure (which you can see in some of the other photos that AirCorps has posted to their site and FB page).
The lengths of the restoration are so great that even for the glass, they actually had the panels made to the original "bullet-resistant" spec, rather than just using ordinary plexiglass, and the center windscreen panel was made to the original "bullet-proof" spec as well. Of course the aircraft has all of the authentic details we've known to expect, such as the multi-colored original period-spec rivets, period-correct watermarks on the aluminum from Alcoa & Reynolds as well as watermarks on the steel from Cargnegie, Illinois, streaks in the primer finishes on parts that were dipped in primer rather than sprayed (as per original factory process), and acid wash on the metal wherever there is spot welding (as per original).
Recently the wing came out of the paint booth, having been profiled to the original NAA specifications - meaning that about the first 33% of the wing is filled and sanded smooth, and then the main wing assembly is painted in aluminized lacquer (this not including the gear doors, fuel tank doors, flaps or ailerons, as the lacquer paint was only meant to cover and protect the "aerodynamic smoothing compound" (or as we would refer to it today, "Bondo") on the main wing section and blending the appearance of the wing to the bare metal finish of the rest of the aircraft).
Some of the photos of the profiled and painted wing, via the AirCorps FB pages:
https://scontent-ort2-2.xx.fbcdn.net/v/ ... e=5A238B50https://scontent-ort2-2.xx.fbcdn.net/v/ ... e=5A1F552Dhttps://scontent-ort2-2.xx.fbcdn.net/v/ ... e=5A218C4Chttps://scontent-ort2-2.xx.fbcdn.net/v/ ... e=5A2A3F32Here is another photo of part of the CBI Theatre radio package - very different to the 'standard' radio configuration in the B/C/D Mustangs. The MN-28C control box is wired to the MN-26C radio compass set (installed behind the pilot - tunes between 150-1500 kHz over 3 bands), which is connected to the MN-20E directional finding loop antenna mounted on the spine of the aircraft. There is an IN4A homing gauge mounted on the instrument panel which is tied into this radio compass set that indicates to the pilot whether or not they are on the correct bearing toward the frequency source. Also, rather than having the SCR-522 communications set (which was standard/required in the ETO and other Theatres), these aircraft, operating in the CBI Theatre, used the SCR-274N radio set.
https://scontent-ort2-2.xx.fbcdn.net/v/ ... e=5A1BF9C2